


Now for the transfer process. The idea is to get the outline onto the substrate, in this case the canvas. I could just trim around the image and collage it onto the project, but this wouldn’t allow the canvas background to show through. After much research, I decided to go with this approach, shared by Lisa Cook. The problem I ran into is that I was working on a framed canvas, so I couldn’t really get in there with a rolling pin since there wasn’t a solid surface backing the targeted area. In the end, none of my image transferred using this process. Frustrating. From what I have read, failing several times before figuring out what works for you is inherent in image transfers. I found a simple solution… clear contact paper. Yep. Check it…